Provocation 4: 

Tania Willard
︎ Visit Tania’s website
︎ Native-Land website



Provocation 4:  A Five-Step Site/ation

1. Take the Day off.
Take a day off, demand the right to just be. Cancel all zoom or online events. Give yourself permission.

2. Next go outside.
Know whose Indigenous territory you are on this website.

3. What can you learn from the land today? How do you read the land? How can the knowledge in and of the land be cited?
Write a site/ation of the knowledge you gained from the land today (cite me if you publish/ share it as well as the bushgallery art collective). See example below:


Site/ation of Secwepemculecw, 2021, my home territory
Deer hair, weathered cedar, birchbark, charcoal, bone, stones, paper, grass
March weather as Spring approaches

4. Rest.

5. Once you have completed the above at some point in the near future please contribute to a cause, as a volunteer, through donating funds or attending a protest/signing petition/using your democratic rights. Activate, Amplify, Decolonize!

Thank you for your participation.

BIO:

Tania Willard, Secwepemc Nation and settler heritage, works within the shifting ideas around contemporary and traditional, often working with bodies of knowledge and skills that are conceptually linked to her interest in intersections between Indigenous and other cultures. Willard’s curatorial work includes the touring exhibition, Beat Nation: Art Hip Hop and Aboriginal Culture (2012-2014), co-curated with Kathleen Ritter. In 2016 Willard received the Award for Curatorial Excellence in Contemporary Art from the Hanatyshyn Foundation as well as a City of Vancouver Book Award for the catalogue for the exhibition Unceded Territories: Lawrence Paul Yuxweluptun. Willard’s artistic projects have been exhibited widely and collections of her work include the Vancouver Art Gallery, Kamloops Art Gallery, Burnaby Art Gallery and more. Her public Art projects include, Rule of the Trees, a public art project at Commercial Broadway sky train station, in Vancouver BC Canada and If the Drumming Stops, with artist Peter Morin and Cheryl L’Hirondelle, on the lands of the Papaschase First Nation in Edmonton, AB. Willard was awarded the VIVA art award for outstanding achievement and commitment in her art practice in 2020. Willard's ongoing collaborative project BUSH gallery, is a land-based gallery grounded in Indigenous knowledges. Willard is an Assistant Professor at UBC Okanagan in Syilx territories and her current research intersects with land-based art practices.

Responses:

Daniel H.C.


Nic O.

Site-ation of Hohokam, 2021, My home:Net-leaf hackberry, Stag-horn cholla, Deserbloom. Cold morning air. It feels like one of last cool spring mornings before the summer heat of may.My Crossroads Altar.I can’t believe how much resistance my body felt to separating myself from my electronics. I feel like it was a withdrawal after the way that I have been tied to these electric rectangles. At first, the pangs were more apparent. It was most difficult to leave everything behind in the car and realize that I would absolutely be able to find my way back. I only meant to spend the morning on a nice long hike. I think that it’s so surprising to me that I have lived near these mountains for months and yet, this is the first time that I have allowed myself to rest and to truly enjoy the land that I have been living on. I took a moment to gather a few beautiful pieces of the nature around me and thank the ground for letting me live here. It’s so fascinating how often we take everything around us for granted. While I was up above the city, it really made me realize how small I truly am in this world sometimes. Up high in the clouds, its not easy to make out each distinguishable face on the streets down below. I could hardly see the cars. I am part of a single breath of time for this earth. This day away from the screen was so necessary, I did not realize how the day in the sun would so greatly influence a lighter mood.



Maximiliano D. 

Site/ations of Hohokam, 2021, Camelback Mountain.
Bark, dried leaves, pine needles, flowers, pointy bush branch, three different kinds of rocks
End of April beginning of Summer.




Morganne Shelley


Site/ation of Akimel Au-authm (“River People”) and Xalychidom Pipaash (“People who live toward the water”), 2021, Papago Park in the Sonoran Desert.Bowl, water, dried palm, collection of grass, wood, creosote bush, brittlebush, rocks, velvet mosquite flowers


Site/ation of Akimel Au-authm (“River People”) and Xalychidom Pipaash (“People who live toward the water”), 2021, Sonoran Desert in Phoenix, Arizona.Bowl, water, dried palm, collection of grass, wood, creosote bush, brittlebush, rocks, velvet mosquite leaves and flowers.

Douglas Baily

1. An Dusky Dancer (Damselfly)
2. Cotton wood leaf
3. Eucalyptus bark
4. The Gila river
5. Rocks Arizona willow



Jasmine R.-S.

This land was once owned by the Akimel O’otham, alsoknown as the Pima. In 1848,gold was discovered in California and many travelersused Southern Arizona as a route to theirtreasures. Many travelers came across the Akimel O’othamtribe, and the tribe gave refuge,water, and food to those damaged from battles betweenthe Apache and Yuma tribes that livedaround their land. The tribe was also taken advantageof and had their water supply, the GilaRiver, was cut off in the 1870s and 80s. The governmenttried to help by providing foods thatwere processed, but ultimately ruined the health ofthe tribe. They proved to be resourceful andstrong, and the creation of the Coolridge Dam andSan Carlos reservoir helped bring theirfarming practices back to life. The tribe has beenshown to be a peaceful and caring tribe anddeeply care about their community. Many of the AkimelO’otham ancestors that live today nowreside in the Gila River Indian Community reservation.Unfortunately, the land that I reside on that wasonce theirs now houses ugly andexpensive apartments that are littered with cigarettebutts and glass. Although the area is not aswell kept as it may have once been, I plan to cherishthis land for what it is and thank whoevermay be listening for allowing me to reside here. Myhope is to visit the community during thesummer and learn more about their history and experiencethe land that they reside on. Ifpossible, I also plan to donate or purchase from thenatives so the community can continue toflourish.





Silvia Pillow Neretti ︎ Visual Communication & Web work + Cargo ︎